It’s a well established fact that President Obama is a Communist. We also know that Communism is inherently evil because it stifles the independent spirit of mankind, and it does not allow for the growth of independent businesses. This is a bad thing, because businesses are people, too. But not the kind that are supposed to pay taxes. Anyway, what I don’t get is why Robin Hood is constantly getting portrayed as a hero. He isn’t a hero at all. He’s a villainous bastard. He’s a dirty, dirty Commie. He steals from the rich and gives to the poor. That’s the same thing as Obama wanting to “spread the wealth around.” If that’s not a Communist plot, then I don’t know what is.
Archive for September, 2012
“Hey Tawmmy, guess what? That cawksuckah Ben Affuck made a movie called The Town. This queah made a lawt of shitty movies in the past like Reindeah Games and Ahmahgedon. Now awll of a sudden he thinks he’s a fackin’ directah. Anyway, this heah movie is about some bank rawbbahs from Chahrlestown. They rawb a bunch’a banks in Bawston and try to get away from da Feds. Dougie, Jem, Gloansy, and Dez ah the robbahs and they do pretty good for awhile, until Dougie gets a hahd-on for a hawstage they took earliah named Claire. Dougie ain’t no queah like some guys I know from Southie, and he dates Claire for awhile and tries to keep his double lives separate. Meantime this big faggy retahd Fed dude named Frawley is goin’ after ‘em, tryin’ to put Dougie and his crew behind bahs. There’s a lot of shoot-outs and beatin’s and we get to see our fayah city of Bawston a lawt. It’s gawt some good writin’ and actin’ and Affuck does a fackin’ good job’a directin’. For a queah, anyway. Tawmmy, you should really check out this movie, it’s worth watchin’. Go Sawx!”
At first I thought this was going to be a comedy. It’s a 1971 film starring Charles Bronson and Toshiro Mifune that is about a cowboy and a samurai teaming up in the Wild West. How could it not be a comedy? Well, it’s not, it’s serious. Fortunately, they did infuse several funny moments and a few funny one-liners along the way. The film doesn’t take itself too seriously, but on the whole, yes, it is a regular Western. Where it lacks in the story department, it makes up for it with charm.
Bronson plays a charismatic outlaw who is forced to team up with Mifune who plays a stoic samurai (does he play anything else?). Their mission is to retrieve a stolen Japanese Imperial sword from Bronson’s former gang who betrayed him and left him for dead. Mifune and Bronson play surprisingly well off one another. They each get their moments to shine, with each besting the other in various scuffles, and each getting to kill plenty of bad guys with their special skills. Ursula Andress is the girl who provides little more than a nice body to look at. The villain is the bland Alain Delon, who apparently is famous, but from this role you’d never guess that.
If not for Mifune, this would be a generic and forgettable Western. However, his character lends a lot of originality to the movie which I’ve never seen anywhere else in the genre. Fortunately, the samurai acts like a samurai should, and doesn’t do a lot of horseshit you’d expect in a Hollywood movie. The movie loses a couple of points for having white guys play Indians, and a sort of derp-tastic finale. Otherwise, though, it’s solid. At least solid enough for an obscure, cult Western. Plus, it’s kind of cool to see Mifune speaking English.
The best part of all, was that I got this movie from Netflix, and the disc they sent me was a Chinese bootleg. It was obvious with all the Chinese characters on the menu, and to start the movie you click the Paly button. I hope Netflix continues to rent bootlegs. They rule.
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I swear to god, every time I’m scanning through the channels and come across NBC, it is invariably airing an episode of The Biggest Loser. It’s another one of those reality TV shows where someone gets eliminated every week, a clone of Survivor. Instead of featuring people losing weight from starvation on an island, it features people losing weight by exercising.
They get the biggest fatties, I’m talking about the fattest of the fat. The people your mom told you not to point at and make fun of, but you do anyway. Every time I’ve watched this show, it’s 2 painful hours of watching sweaty fatties do pushups and run on treadmills and talk about how courageous they all are for exercising. Great job, fatties. Personally, I think it seems way more courageous to eat McDonald’s and Dairy Queen and drink 64 ounce sodas every day and risk a slow, painful death by diabetes. But then again, this is an American TV show, so I guess to Americans exercise is hard and therefore courageous. Continue reading ‘The Only Show On NBC is The Biggest Loser’
Star Driver is a 2010 anime series by Studio Bones. Usually their stuff is pretty good (e.g. Wolf’s Rain), so I went into this series with high hopes. Unfortunately, this series is anything but good. It does have some good animation quality and interesting character designs, but that’s about all it has going for it. The story is incredibly half-assed. A douchey kid named Takuto, who calls himself the “Galactic Pretty Boy” (that should tell you something about his sexual orientation), washes ashore on a mysterious island. Immediately, he enrolls in school and gets embroiled in mecha battles with the other students.
They all pilot giant robots, and battle in a parallel dimension. No one is ever killed in the battles, so there is never any tension in these fights. The reasons for the battles, the motivations of the characters, the origins of the mecha, and the way the mecha function are all known to the characters. However, the series does not explain any of this to the audience until the last episode. Basically, they are trying to make everything mysterious and keep the viewers hooked in. Sadly, this doesn’t lend intrigue to the show. All it does is piss you off because you’re being kept out of the loop of a secret everyone else is aware of.
The mecha are French-inspired and have puffy hair bouffants, frilly dress-like appendanges coming out of their asses, and high heels. Also, there is a HUGE amount of recycled animation. Every episode we see the same fucking opening battle sequences/transformations. Now, this practice was considered OK in 1997 when Revolutionary Girl Utena aired, but it is no longer acceptable by today’s standards. I’m sorry, Star Driver, but this is not 1997 and you are not Utena. The show also has a ridiculously huge cast, so large that everyone ends up barely explored, left one-dimensional, and utterly devoid of interest. It’s the same problem that plagued RahXephon. Well that, and it was essentially an Evangelion rip-off.
Star Driver farts along blandly until the final episode when all the mysteries are explained, there is a final battle, and the show suddenly ends without any denoument. A typical shitty, rushed ending from Japan. I think what is most frustrating about Star Driver is that it could have been good, but they squandered every opportunity.
The last time I reviewed a series directed by Akiyuki Shinbo was when I wrote about Bakemonogatari. That boring piece of shit was dreadful. He improved his skills with Madoka Magica, but overall I haven’t been too impressed with his body of work. One of his earlier titles is a 2001 anime titled The SoulTaker.
This anime makes no goddamn sense. The main character, Kyosuke, is living a normal life when he is unexpectedly murdered by his mother. He is immediately resurrected and obtains the ability to transform into a monster called The SoulTaker. The majority of the series features him trying to find his long lost twin sister Runa, and fighting against the evil Kirihara Hospital organization and his father. That’s about the most coherent summary I can give of the show. The rest of it is incoherent.
At first you think this is a show with a supernatural bent, what with all the crosses and religious imagery. But then you learn that Kyosuke can turn into The SoulTaker because he’s actually a mutant. But that turns out to not be true because Kyosuke is really an alien. The same is true for Runa. There is some crazy incest stuff where Runa wants to kill all humans because they are “Devils”, and she wants to marry her brother Kyosuke. Somehow she was split into a bunch of fragments called “Flickers” and Kyosuke has to fight them. Also, Kyosuke had two mothers, and his father tied his soul to his mother and if one of them dies then the other one dies too. There is some weird cat-girl nurse who follows Kyosuke around. Oh, and of course, the finale takes place on the Moon.
If anyone can tell me what the fuck was actually going on in this show, I would be eternally grateful. On the positive side, the show had a really unique aesthetic style to it, and despite all the insanity, it was somewhat intriguing. It isn’t something I’d watch again, but for the insanity aspect alone, it was worth seeing once. Oh yeah, and the English dub is horrible, so be sure to avoid it.
Raging Bull is another one of those “classic” movies the film-fags love. Just take a look at this quote from a professional film critic. It pretty much sums up everything the film-fags think about this movie: “An essential addition to the libraries of all true cinephiles, the film is a triumph both for De Niro and his director, Martin Scorsese.”
It’s amazing to me that these fuckers loved this piece of shit so much. It also amazes me how film-fags refer to themselves as “cinephiles,” which is one of the most pretentious -sounding things I’ve ever heard. These people probably sit around in their skinny jeans, berets and striped shirts, smoking cigarettes, eating baguettes, and talking in fake French accents about how their taste in movies runs so much deeper than that of the average person.
Unfortunately, I don’t have the capability to express in words how much this movie sucks ass. The English language doesn’t have strong enough curse words to truly convey my hatred for Raging Bull. So, I decided to illustrate my reactions to the viewing experience by showing you pictures of pugs.