I managed to evade The Man and The Good Taste Police long enough to last one more year. It’s amazing to think that I have been writing this blog for six years. Sure, it’s little more than a hate-filled rant against Hollywood, but it still takes some effort on my part to churn out all this drivel. I don’t really know how long I’ll be writing this blog. As long as Michael Bay is making movies, though, I’ll try my best to be here to watch shit so you don’t have to. Once again, let me thank all of you who drop by and read the blog and leave comments. Awesomely Shitty wouldn’t be half as much fun without you. So, until next year, here’s a happy (shitty) anniversary to me.
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I’m a little slow at getting around to new movies. I just don’t see the point in wasting $10 to see an overwrought, cliche piece of shit at the first-run theater. So, Mrs. Brik and I almost always wait to see stuff in the second-run theater. We spend a hell of a lot less money, and if the movie turns out to be shitty, it doesn’t feel like much of a loss. Gravity, like so many others, was a movie we waited to see in the second-run theater. That was a mistake. It was well worth the full admission price. I wish I had seen it sooner.
Gravity is less of a film and more of an event. It’s a massive spectacle that keeps you glued to the screen. You get completely lost in it. The typical things you expect in a film, like music, sound effects, character development, are thrown out the window. Gravity is like no other film before it. It is so different than other movies, you can’t judge it in the typical fashion. You don’t watch Gravity, you experience it.
Edge of Tomorrow is the newest vanity project from Tom Cruise. It’s based on the bizarrely titled Japanese novel All You Need is Kill. With a Scientologist lead actor, a sci-fi premise, Japanese source material, and a less than stellar trailer, this had all the makings of a disaster. Surprisingly, it wasn’t a disaster. Even more surprising, Edge of Tomorrow was pretty damn good.
I can’t say how faithful the film is to the source material, but it doesn’t really matter. The movie needs to be able to stand on its own in order to be successful. Fortunately, the story put forth by the filmmakers was compelling. Cruise plays Major William Cage, the military’s slimy PR guy who has never once stepped on the battlefield. He’s a weasel, for sure, and Cruise plays him with a smarmy attitude. We immediately dislike him, and we should, since he’s such a jerk. Cruise actually plays against type here, as a cowardly weakling who isn’t immediately the savior of the human race. His playing against type is a huge advantage for the movie, because if he played his usual hero-type, the movie would have fallen flat on its face.
My faith in anime was at an all-time low. I had thought about completely giving it up more than once. The last show I really enjoyed was Gurren Lagann and before that, Akagi. Those series came out in 2007 and 2005, respectively. Since this is 2014, that means there had only been two great shows in the last seven years. That’s pathetic. Nobody in Japan seemed interested in creating a good series any more. All they care about is selling moeblob merchandise which cater to the lowest pedophilic denominator.
And then I watched Attack on Titan.
I’m not going to say this series is perfect. It’s not. It isn’t the next Cowboy Bebop or Haibane Renmei. It has flaws. But it is a huge step in the right direction. It tones down the moe factor, ramps up the action, and even took the time to include a plot. These are the only things I ask for in an anime. Unfortunately, most anime are incapable of meeting these three criteria. Attack on Titan, however, made all the right moves.