There are a lot of movies I hate. For the most part, Hollywood can’t resist shoving recycled garbage down the throats of the movie-going public 52 weeks a year. Since 2004 there has been a growing number of “indie” movies released every year. The indie movie trend really exploded with the release of Napoleon Dynamite. Since then the term “indie film” has been Hollywood shorthand for “quirky independent comedy.” Unfortunately, the majority of the movies being passed around as “indie” are nothing close to being independent.
A truly independent film typically has a lot of features you will never find in a Hollywood “indie” movie. For example, if the movie was ever released in a national cinema chain (e.g. AMC, Harkins), then it was likely backed by a major studio, and thus is not independent. Real independent movies are not seen in the same cineplex that shows the latest Michael Bay summer shit-spectacular. They may play in a small theater dedicated to independent films, but usually they just make the rounds on the film festival circuit until they are either picked up for home video release or fade into obscurity.
Real independent movies are way too hardcore for the standard movie goer. They are grainy, often black and white, have really low production values, do not star any known actors, and many times deal with social issues or are completely confusing mindfucks. Perfect examples of this would be the movies Eraserhead by David Lynch and Pi by Darren Aronofsky. Continue reading ‘Fake Indie Movies (AKA Fuck You, Hipsters)’