08
Oct
16

The Accountant, The Innkeepers

The Accountant

I think it’s great that Hollywood is finally recognizing Autism, and giving its sufferers, such as Ben Affleck, starring roles in films. Affleck plays a shady accountant that fixes books for drug lords and terrorists. Working with such greasy clientele, he’s had to keep a low profile. The government has been tracking him for years, and finally gets a break in the case to hunt him down.

Simultaneously, Affleck gets a new assignment, one that causes him to cross paths with hired guns. As a kid, his psycho father trained him in martial arts and marksmanship. So, Affleck is able to kill quite handily. He goes against said killers while trying to keep his identity a secret.

The movie works well on pretty much all levels. The story is smartly written, and paced evenly, although it’s a bit slow in parts. We learn Affleck’s history through well-placed flashbacks, and there is even a stunner of a twist ending that I won’t spoil for you here.

It’s not an action movie, although there is some action in it. The action isn’t anything to write home about; don’t expect this to be the next John Wick. It’s more a thriller, a story meant to keep the audience guessing. The acting is also pretty good, too. Affleck barely emotes, and when he does, it’s mostly for laughs. For once, he finally found a role he was suited for.

Overall, it’s an above-average thriller, but probably won’t be one we remember ten years from now.

Verdict: Good

The Innkeepers

This 2011 horror film has rave reviews, but I can’t understand why. It’s certainly not the worst horror film ever made, but it is far from the best. It might actually be the most disappointing one I’ve seen.

It features a pair of hotel employees trying to figure out if their hotel is haunted. The film starts out promising. It takes its time setting up the characters and the atmosphere. It lets the audience get to know the surroundings, and slowly builds a sense of dread. The problem with most horror films is they go right for the jump-scares without giving the audience any time to settle in.

This movie sets up atmosphere to a fault.  It spends 1 hour and 20 minutes of it’s 1 hour and 40 minute runtime setting up atmosphere. That amount of setup is beyond excessive. By the time the scares actually come, the audience is bored stiff. It’s a tease more than anything else. Yes, the scares were good, and they didn’t have to rely on startles, which I approved of. But, sadly, it’s a case of too little, too late.

Verdict: Bad

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