Archive for November, 2017

25
Nov
17

The Italian Job 1969 vs. 2003

If you like high-speed chases in Mini Coopers, then The Italian Job is the movie for you. But wait! There are two versions of this film. So, which one should you watch? Well, that depends. Your friendly neighborhood BrikHaus has watched them both, and I’m going to pit them head to head, so you can decide for yourself.
The Italian Job (1969)
This is one of Michael Caine’s most popular and beloved films, and I can’t understand why. The marketing makes you think this is going to be a rip-roaring caper film, especially with the heavy leaning on Minis being used in some kind of high-speed getaway. Unfortunately, there is nothing high-speed about the original Italian Job.
Caine plays Charlie Croker, a criminal recently released from prison. He immediately goes on a mini-James Bond spree getting a fancy suit and sleeping with hot chicks. After that, he recruits a gang to perform a big job in Italy. Clearly, prison has reformed this man. I’m glad that the justice system works so well in England.

Continue reading ‘The Italian Job 1969 vs. 2003’

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05
Nov
17

The Woman in Black

Horror is a tough genre to do well. It’s mired in cliché and cheese. Either it’s too gory, too dumb, or not scary. Modern horror films have relied too much on startling the audience instead of earning scares. An ever increasing reliance on CGI have made horror films tame. What’s scary about an obviously fake computer generated image? Nothing.

The Woman in Black is by no means a movie that shakes up the genre. It stays firmly planted in all the usual trappings of a standard haunted house film. What this film does well, however, is it generally avoids all the modern pitfalls like startles, stupidity, and CGI.

Continue reading ‘The Woman in Black’




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