Brik Hates the Academy Awards: 80s Edition

It’s no mystery that I hate the Academy Awards. Hollywood spends half the year binging on cocaine and hookers and the other half praising themselves for it. No other industry exerts so much energy and spends so much money on self-congratulatory masturbation than the film industry. These sick fucks have the cushiest, easiest jobs in the world, and they act like what they do is some kind of goddamn accomplishment. “LOL OH LOOK I JUST RECITED SOME LINES SOMEONE ELSE WROTE FOR ME AND SHED A TEAR AT THE SAME TIME! I’M A FUCKING ACTING GOD! QUICK SOMEBODY GIVE ME FIFTY AWARDS LOL!”

In theory, I could get behind the awards if they actually awarded things that were deserving. You know, giving a Best Picture award to the best movie of the year. But the Academy rarely gives that award to the best movie of the year. Hell, they don’t even give it to the most popular movie of the year. Usually, they give it to whatever cool person produced the movie, or to the most obscure, independent, foreign piece of shit they can find. Typically, no one in the mainstream public will have even seen the winner.

They’ve been pulling this shit for years. So, I decided to analyze the past years, offer my own nominees, and declare new winners. Best movie isn’t the one that makes you cry or makes you think. Best movie is the one that you want to revisit over and over again. A movie you watch once and never again isn’t good. It’s only good if you can’t help but watch it a million times. Rewatchability is the hallmark of something great.

This time around, I’ll be taking a look at the Best Picture winners from the 1980s.

Baccano, Shana, and Afro Samurai

I have three quick reviews for you. Why? Because I’m too lazy to write a single in-depth review of any of these titles. Really, it all stems from my inability to— ah, fuck it, let’s just get on with it.

Baccano

Boring Baccano's boring cast of boring assholes.

ZZZZZZZZZZzzzzzzzzzzZZZZZZZZZZzzzzzzzzzzZZZZZZZZZZzzzzzzzzzz

Huh? Wha? Why’d you wake me? What’s going on? Oh that’s right, I was watching Baccano. Something about too many characters, and nothing really happens. Any time you have a story (movie, book, tv series, whatever) about the multiple perspectives of one event (e.g. Rashomon), it inevitably sucks. Yeah that’s right, Kurosawa fanboys, suck it. Now, let me get back to sleep. Oh, and also: Jacuzzi Splot is a fantastic (read: retarded) name.

Verdict: Shitty

Shakugan no Shana

I'm eagerly awaiting the Shana hentai.

Taking one look at the character designs for this show, I figured I would hate it. And yeah, it did start out a little weak. It was basically a combination/rip-off of Full Metal Panic and X. However, there was something about it that seemed kind of cool. There was this dark side to it that was rather unexpected. Basically, the main character, Yuji, (and many others) are just the ghosts of people who have already died. Shana gets pissed off, and unleashes some serious shit on various bad guys. The moment that really did it for me, though, was the multi-episode arc featuring the Incest Twins. A villainous brother and sister that make out constantly, and kill innocent people. Awesome! I wish more anime had the balls to show hot, sweet incest. Overall, this show had a lot more personality than I originally anticipated, and it is worth checking out.

Verdict: Good

Afro Samurai

Afro's fro could be a little bigger, don't you think?

With Samuel L. Jackson providing the voice of not one, but two characters, I thought, “This is sure to be terrible.” And the first episode was. It was this bizarre mix of pseudo-historical Japan, the American old west, 20th century weapons, robots, cell phones, and hip hop. The animation was pretty good, and it was ultra violent, with buckets of blood spraying in every direction. Still, it seemed lackluster. But then, in the second episode, BAM!, we got full frontal tits. Sex scenes are obviously great, and this one suddenly made Afro Samurai a hell of a lot cooler. After that, it was non-stop badassness. Once I forgot that it didn’t take place in any reality that made sense, I started to like it a lot more. Overall, I was really pleased. The film that followed the five-episode OVA was more of the same, although it had a tendency to drag in a couple of places. Still, if you want a solid action show, you can’t go wrong here. Just check your brain at the door.

Verdict: Good

Freedumb

Generic 15 year old bikers from the future.

Everything about Freedom screams mediocrity. It rips off countless, better sci-fi stories to create a hodgepodge, nigh-unenjoyable series. If you take a quick look at the fan-ratings for this series on Anime New Network you’ll see that the majority of people reviewed it as Excellent or Very Good, with a few Masterpieces thrown in there, as well. Since otaku rarely watch or read anything outside of anime and manga, then they are unlikely to notice that everything here is recycled. Freedom offers absolutely nothing new. While that might be okay if the execution was good, well, it isn’t. It’s trite and boring, and generally a waste of time.