Rambo: Last Blood

As an unabashed fan of action films, I am well-acquainted with Sylvester Stallone’s iconic Rambo. I saw Rambo III as a child in the theater when I was way too young for it, and have since seen parts 4 and 5 in the theater, as well. Rambo: Last Blood promises to be the final film in the franchise. Of course, Stallone promised that Rocky Balboa was the final Rocky film, yet the character showed up in two more films, so it remains to be seen whether or not there will be a sixth Rambo film. Anyway, how did the latest Rambo outing hold up?

Taking place 10 years after the previous film, Rambo is living on his childhood ranch in Arizona. He has a surrogate family which includes a young girl he raised as if she was his own daughter. Rambo has settled into an idyllic life training horses and digging preposterously labyrinthine underground tunnels. Naturally, Rambo isn’t going to live out the rest of his life in peace and harmony. The girl discovers her biological father is living in Mexico, so she crosses the border to reconnect with him. Her plan back-fires, and she ends up the victim of a sex trafficking ring. Rambo springs into action to get her back.

Blade Runner 2049: A Sequel Nobody Asked For

Blade Runner 2049 is a sequel that nobody wanted or asked for. The 1982 original was a landmark film that inspired the look and feel of virtually every sci-fi film since. It told a self-contained story, was completely satisfying, and had no need for a continuation. It was also an abysmal failure at the box office, and these are precisely the reasons why there was never a follow-up film. Well, this is a new era in Hollywood where every ancient property, no matter how obscure or irrelevant, gets resurrected for a reboot or sequel. If there is even a remote chance for name recognition, the hacks in charge green-light it for production.

The new film has strengths, but also glaring weaknesses. It is by no means a bad film, but perhaps ill-advised. As a direct sequel, director Denis Villeneuve, captured the look and feel of the universe exactly. It feels just like the original film. The neon nightmare, the crumbling infrastructure juxtaposed with state-of-the-art technology, and the oppressive loneliness are all brought from the original without missing a beat. Without a doubt, it feels like a Blade Runner film. And that is perhaps the sequel’s greatest strength, that the universe is still tangible and plausible, and, most importantly, consistent. The transition between films, despite a 35 year gap in time, is seamless.

Movies > Books: Blade Runner

I’m willing to bet a lot of people aren’t aware that seminal sci-fi noir film Blade Runner is based on a novel. The awkwardly titled Do Androids Dream of Electric Sheep forms the basis for the 1982 film. The film is a loose-ish interpretation of the book. The two entities are similar, yet different enough to make comparisons difficult. Even so, I’m going to give it a whirl.

Blade Runner is a film I didn’t initially like. I had seen the theatrical cut twice, and wrote it off as a failure. I ignored the international cut and director’s cut, because why would I watch additional cuts of a movie I didn’t like? Then, the final cut came out in 2007, and was much ballyhooed. So much so, that I decided to give the film one more chance. This time, I was blown away. Director Ridley Scott had perfected his dark, futuristic vision. What he had in his head when he filmed it was finally conveyed to the audience without studio tinkering. I liked it so much, I now consider it a masterpiece.

But what about the novel? This, too, I had actually read a long time ago, when I was a teenager, and unable to appreciate the nuances of it. I thought it was a weak-ass sci-fi novel which had been completely overhauled and improved upon in every aspect by the film. Even though I didn’t like the film at that time, I still considered it a vast improvement over the novel. I didn’t give it much thought in the years since. But with the release of the sequel film, Blade Runner 2049, I thought I’d revisit the source material. My intent was to write up what a piece of shit the book was compared to the superior film. But what I found was that the book was surprisingly great, too.