
We wait decades to see these guys in a movie together, and this is the best they could do?

An average day in England.
We wait decades to see these guys in a movie together, and this is the best they could do?
An average day in England.
It’s no mystery that I hate the Academy Awards. Hollywood spends half the year binging on cocaine and hookers and the other half praising themselves for it. No other industry exerts so much energy and spends so much money on self-congratulatory masturbation than the film industry. These sick fucks have the cushiest, easiest jobs in the world, and they act like what they do is some kind of goddamn accomplishment. “LOL OH LOOK I JUST RECITED SOME LINES SOMEONE ELSE WROTE FOR ME AND SHED A TEAR AT THE SAME TIME! I’M A FUCKING ACTING GOD! QUICK SOMEBODY GIVE ME FIFTY AWARDS LOL!” In theory, I could get behind the awards if they actually awarded things that were deserving. You know, giving a Best Picture award to the best movie of the year. But the Academy rarely gives that award to the best movie of the year. Hell, they don’t even give it to the most popular movie of the year. Usually, they give it to whatever cool person produced the movie, or to the most obscure, independent, foreign piece of shit they can find. Typically, no one in the mainstream public will have even seen the winner. They’ve been pulling this shit for years. So, I decided to analyze the past years, offer my own nominees, and declare new winners. Best movie isn’t the one that makes you cry or makes you think. Best movie is the one that you want to revisit over and over again. A movie you watch once and never again isn’t good. It’s only good if you can’t help but watch it a million times. Rewatchability is the hallmark of something great.
The three biggest action stars of the 80s and 90s all tried to make a serious comeback in 2013 by starring in action extravaganzas. Unfortunately, their glory days are behind them. Instead of capturing the magic of the 80s and turning in entertaining spectacles of wanton violence, they gave us three smelly turds. As much as they want me to enjoy their shit, well, Planet Hollywood went out of business a long time ago.
Knowing these movies would be terrible, I decided to wait until they hit the second-run theater. Spending a grand total of $8 to see them (instead of $27) was a blessing.
“What am I supposed to be looking at? The car? This is just a goddamn Chevy commercial, isn’t it?”
First, I watched The Last Stand. This was supposed to be Arnold Schwarzenegger’s triumphant return to action. Sure, he had a small part in The Expendables 2, but he wasn’t headlining, and nobody saw that crapfest, anyway. This movie was directed by Kim Ji-woon, the same guy who directed the horrendous I Saw the Devil. Going into this, I had no idea he was the director. As soon as I saw his name, I knew I was in for a shitty time.
This movie goes out of its way to let us know Arnold is “too old for this shit.” He’s a weary, rundown sheriff of a small town in Arizona. He limps around with a hunched back and arthritis. Of course, once the bullets start flying, he performs acrobatics like a 20-year-old gymnast. How was this possible? Did he snort several lines of coke beforehand? Anyway, it turns out that this movie is just a 100-minute long commercial for the Chevy Corvette C6ZR1. The villain drives one of these for half the movie, and the camera does all these crazy close ups and zoom-ins, like a porn director on a girl’s vag. I half expected the villain to start jacking off inside the car.
Continue reading ‘A Good Day to Die Hard made its Last Stand but took a Bullet to the Head’
Moonrise Kingdom
Oh wow, they are all such tremendous actors.
Director Wes Anderson is the king of quirky independent movies. Just for that you would think I’d automatically hate him. I don’t because I love the movie Rushmore, which is fucking brilliant. So, I was interested to see his new film, which reunited him with actors he uses often like Bill Murray and Jason Schwartzman. I was also excited to see Edward Norton and Bruce Willis.
Moonrise Kingdom is about two kids who run away from home. Unexpectedly, 90% of the screentime is devoted to their fledgling love affair. Of course, it’s all viewed through a quirky lens. It’s romanticized to an unneccessary degree, and is made annoyingly wholesome and cute. It’s unfortunate because that drains all of the interesting bits out like a vampire. The remaining 10% focuses on the attempts of the other characters to track them down. This is where Norton, Willis, and a troop of Scouts come in.
Parts of the movie are fun, such as the early attempts to track them down, and the later attempt at avoiding capture. These are the highlights of the movie. The rest of it features more camping scenes than a Harry Potter movie. The majority of the movie’s heavy lifting comes from the two leads who were both 12 years old at the time of filming. And, wouldn’t you know it, they fucking suck at acting.
Now, I know what you’re thinking, “LOL BUT BRIK TEHY ARE JUST LITTLE KIDS SO TEHY CANT BE THAT GOOD AT ACTING YET GIVE EM A BREAK LOL!” I’m sorry, but no. You’re wrong. Some kids can be good at acting. Just take a look at Chloe Grace Moretz or that little bastard from The Sixth Sense and tell me their acting is not light years better than the twats in Moonrise Kingdom. The fact that these two can’t act, and that they dominate 90% of the screentime, nearly ruins the movie. Other problems include woefully underdeveloped characters like the parts played by Willis and Murray.
I’m conflicted about this movie. On one hand I want to like it since it’s so off-kilter. On the other hand, the two leads are such horrible actors that the movie should automatically lose points for that. They don’t get a pass for being kid actors. They were both absolutely terrible. It’s like Wes Anderson intentionally sought out shitty kid actors to put in his movie. Maybe he did. Maybe that’s the point? Who knows?
Verdict: Average
Pierrot le Fou
I’m sure this still from the movie has SUPER DEEP MEANING.
If you aren’t a hardcore filmfag, chances are you’ve never heard of this movie. Consider that a blessing. Pierrot le Fuck is a 1965 French movie directed by Jean-Luc Godard. He became a famous director in this era because he liked to film shit in the weirdest way possible, and people thought he was some kind of goddamn genius for it. Pierrot le Fuck is about a couple of egotistical assholes who abandon their families, steal shit, kill some people, and run around like turd burglars for the entire movie. Everybody dies at the end, too, so — spoilers — I guess. The problem really isn’t the story so much as the directing. I couldn’t fucking stand how it was directed. It was way too cool and hip for a troglodyte for me to understand. Everything about it from the way the actors read their lines, to people staring directly at the camera, to how trendy everybody was, to just about fucking everything irritated me to no end. Godard is more pretentious cock gobbler than innovative director. Obviously, this is only a movie for the hardcore amongst us. The only good thing about it was it had some nudity. That’s it. Pierrot le Fuck can go fuck itself. That would be the trendy thing to do.
Verdict: Shitty
Sup, bros? I saw this totally rad movie over the weekend called Pooper. And by totally rad I mean it gave me the same feeling I have when I chug too much Jager and have to puke.
All my bros in film reviewing land had the exact same things to say about Pooper: “mind-bending”, “smart”, “scintillating”, “smart”, “creative”, “exciting”, “smart”, “very smart”, “high-concept”, “intelligent”, and “smart.” While my bros out there really liked this movie, I’m still wondering if they thought it was a smart movie. It’s hard to tell. In fact, I just typed “smart” so many times, it doesn’t even look like a real word any more. Don’t you hate it when that happens?
Bloggers like to post their top Christmas movies. The problem is their lists are always the same: A Christmas Story, National Lampoon’s Christmas Vacation, It’s a Wonderful Life, Home Alone etc etc puke. Well, I thought it was time to give you a list of real Christmas movies. The kind that are festive, and really get you into the holiday spirit. These movies can be enjoyed by family and friends, and should be mandatory viewing annually. Let’s make a new Awesomely Shitty tradition. Watch and love these movies every year, or you can’t be my friend anymore.
12.) RED – Bruce Willis loves the holidays. You can really tell. With RED, as well as two Die Hard movies and The Last Boy Scout, he’s a guy that really embodies the Christmas spirit. This movie in particular tells us it’s never too late to get excited for the holidays. Although the main characters are all retired from their work as assassins, they get together for one last hurrah. Even though you may be an old grouchy Scrooge, you can get festive once again. It’s a positive message like that which makes this such a heartwarming film. A group of old friends reunite to kill people and blow shit up one more time. This movie gives me a warm and fuzzy feeling inside.
11.) Lethal Weapon – Kind of like Bruce Willis, screenwriter Shane Black must really love Christmas. So many of his movies take place during the holidays. This time around we get to see Mel Gibson playing a suicidal cop, as he battles with the villainous Gary Busey, who seems to be playing himself. There is plenty of mayhem as L.A. is ripped to shreds. It ends with a Christmas celebration. I suppose the entire movie (the murders and shootouts and near suicide attempts) is a metaphor for the insanity of the build up to Christmas. This movie is really deep like that.
For a long time I’ve been carefully watching for the end of the world. According to the Bible (the world’s most accurate and consistent book), the world will end in a fiery shit storm, ushered in by the Four Horsemen of the Apocalypse. Well, that time is here, albeit not in a form that anyone expected. In fact, all the pestilence, war, famine, and death are not coming literally, but figuratively in the world of cinema.
Horseman numero quatro is none other than M. Night Shyamalan. Actually, his name is Manoj Nelliyattu Shyamalan. I guess Night sounded cooler than Nelliyattu. Personally, I think he should just go with Shyamy, but that’s just me. Anyway, this guy’s films have grossed over $1 billion worldwide. That would make you think, “Oh wow, he must make some really great movies to bring in that kind of revenue.” Well, if you thought that, you’d be wrong. In fact, I can’t imagine any scenario where this guy’s movies even get financial backing let alone sell tickets. Here’s a sampling of his work:
I don’t even know where to begin with ol’ Shyamy. Somehow this guy is able to get huge studio financial backing and land A-list actors time and time again. He’s able to do all this despite having horrible reviews every single time he makes a new movie. In fact, with each subsequent movie, his reviews get worse and worse. Rotten Tomatoes gives his films the following grades: The Sixth Sense 85%, Unbreakable 68%, Signs 74%, The Village 42%, Lady in the Water 24%, The Happening 18%, and The Last Airbender 6%. Let’s use a visual example to further illustrate (image from FilmDrunk). Continue reading ‘4 Horsemen of the Film-Making Apocalypse: Part 4 – M. Night Shyamalan’
For a long time I’ve been carefully watching for the end of the world. According to the Bible (the world’s most accurate and consistent book), the world will end in a fiery shit storm, ushered in by the Four Horsemen of the Apocalypse. Well, that time is here, albeit not in a form that anyone expected. In fact, all the pestilence, war, famine, and death are not coming literally, but figuratively in the world of cinema.
Horseman numero dos is none other than Michael Bay. Just like our friend Roland Emmerich, this guy’s “movies” have also grossed over $3 billion worldwide. It’s an impressive feat considering that his “movies” are little more than paper-thin stories used solely for the purpose of stringing together a series of explosions. Here is a list of some of this auteur’s “movies:” Continue reading ‘4 Horsemen of the Film-Making Apocalypse: Part 2 – Michael Bay’