
Posts Tagged ‘fox
Deadpool 2 AKA Skull Poop L 2

It’s Pilot Season – 2016
OK, this post is a little late since I’ve been promoting my book. Pilot season is essentially over, and all the new shows are in full swing. But who cares? I’m doing this post anyway!
The Fall 2016 television season is upon us. And that means we’re inundated with the worst the networks have to offer. Each year brings us new series; a few will be great, but most will be unwatchable trash. There’s far too many horrible series out there for me to review them all. So, I’ve decided to watch the three pilots that had the most promotional advertising of this season and review them. Please note, my reviews are not necessarily what I think of the entire series, but simply my thoughts on the pilot episode.
The Good Place
Mike Schur is a comedy genius. He wrote for Saturday Night Light, he worked on the US version of The Office, he created and ran Parks & Recreation, and he co-created Brooklyn Nine-Nine. So, I’m going to take notice anytime he gets involved in a show. Now, he has created yet another new comedy series, The Good Place, starring Mrs. Brik’s female crush Kristen Bell.
The Good Place is essentially heaven. It’s where good people go when they die. But the standards are really, really high. Your run of the mill good person isn’t going to get in. You have to be an ultra-humanitarian, a Ghandi or a Lincoln to make the cut. Everyone else goes to The Bad Place AKA Hell.
It’s Pilot Season – 2015
The Fall 2015 television season is upon us. And that means we’re inundated with the worst the networks have to offer. Each year brings us new series; a few will be great, but most will be unwatchable trash. There’s far too many horrible series out there for me to review them all. So, I’ve decided to watch the three pilots that had the most promotional advertising of this season and review them. Please note, my reviews are not necessarily what I think of the entire series, but simply my thoughts on the pilot episode.
The Muppets
The Muppets have been an entertainment staple since the beginning of time. Ever since Thomas Edison’s phonograph played Mary Had a Little Lamb, the Muppets have been there to make us laugh. Everyone has grown up watching them, and everyone loves them. They love them so much, in fact, that they have become desperately protective of them.
The Muppets are flexible, and have changed their style, format, and humor as the times have changed. In the 1970s, they had a hit show which was based on the popular variety show format of the time. In the 80s, they did feature films. In the 2000s, they had a long dry spell where they only did Disney-based attractions (and Kermit got heavily involved in alcohol). Today, they are back on TV, and the format has changed once again. Now, they are doing an Office-like show, a behind the scenes comedic look at running a TV series, complete with A and B storylines and cut-away confessionals.
People don’t like the new format. Why? Because people are stupid. They cling to nostalgia the same way an NRA nutcase clings to his guns. Since the Muppets’ new show is different from whatever version the audience grew up with, IT’S AN ABOMINATION AND MUST DIE, KILL IT WITH FIRE!
It’s Pilot Season – 2014
The Fall 2014 television season is upon us. And that means we’re inundated with the worst the networks have to offer. Each year brings us new series; a few will be great, but most will be unwatchable trash. There’s far too many horrible series out there for me to review them all. So, I’ve decided to watch the three pilots that had the most promotional advertising of this season and review them. Please note, my reviews are not necessarily what I think of the entire series, but simply my thoughts on the pilot episode.
Gotham
Holy shit on a stick, Batman! Gotham is Fox’s attempt at cashing in on the tiresome superhero craze that plagues the world. Last year, I complained that doing an Avengers show without the Avengers was an idiotic idea. Gotham is more of the same, as it is a Batman show without Batman. It’s a prequel to the adventures of the caped crusader. And, guess what? It sucks. Nobody gives a fuck about the origins of all these villains. What’s the point? None of them are ever going to die, because they wouldn’t live to face the dark knight. So, there is no tension whatsoever. This is combined with a cheap series of sets that look like they came from the 90s, plus an entire backdrop of CGI just for an extra layer of shit. The writers are trying to make this into long-form series by positing the idea that Bruce Wayne’s parents were killed in a conspiracy, rather than a random mugging. I think they are going to be stretching a thin idea too far. There is no way they can keep this going for multiple seasons and make it good. Not that the first episode was good either. It was a huge hunk of gouda, a slice of the stinkiest cheese imaginable. Everyone chews scenery, bringing in over the top performances which also belong in the 90s. Continue reading ‘It’s Pilot Season – 2014′
Fringe – Season 5

Season 5 title screen.
Fringe Executive Producer and Showrunner J.H. Wyman said this about Season 5, “My biggest concern was telling an authentic, honest story that I could stand behind, and that I would feel I was giving the fans the love letter that I think they deserve.”
Well, if the final season was a love letter to the fans, then the final episode was a gigantic fuck you.
General Thoughts
After watching the final moments of the show, a show I have invested years in, I couldn’t help but be furious. I wanted to smash something. Seriously. Wyman took a damn good season, a damn good series, and crushed it in a few confusing, contradictory final moments. He did two things: 1) he fucked up because he insisted on using time travel while failing to understand its logistics, and 2) he fucked up because he doesn’t give a shit.
Fringe – Season 4
I’m not exactly sure how to describe season 4 of Fringe. Season 1 was pretty good, although the early episodes were bland and directionless. Seasons 2 and 3 were totally awesome as they focused on the war between two parallel universes. The third season ended with a powerful episode and a massive cliffhanger. Given that Fringe had been firing on all cylinders for two full years, it was probably an impossible task to keep up that level of writing for a third consecutive year. The writing is still good, the acting top-notch, and the ideas interesting, but it just doesn’t live up to the quality of the material that came before it. Season 4 could have continued to expand upon the series mythology, but instead it was bloated with a lot of needless filler. I suppose if I was hard pressed to use a word to describe this season, that word would be: squandered.
Fringe – Seasons 1-3
Most television shows cater to people with moderate to severe mental retardation. As a result, I don’t watch a lot of television. When you are constantly bombarded with crap like: The Big Bang Theory, Two and a Half Men, CSI, CSI: Miami, CSI: Antarctica, CSI: NCIS: SVU: Los Angeles, Gray’s Anatomy, Jersey Shore, everything on the CW, and the fifty Kardashians reality shows, there is hardly any reason to turn on a television. Fortunately, I found a reason to watch TV again, the sci-fi series Fringe.
When this began airing in 2008 I figured it would be nothing more than an X-Files rip-off, so I completely dismissed it. Since that time it has garnered a cult following, as well as some critical acclaim, but has stagnated in the ratings. It was recently picked up for a fourth season, but only just barely. It was nearly canceled. Being someone who inevitably gets hooked on unpopular series that get canceled without a proper conclusion, (e.g. Twin Peaks) I decided to check this show out.
Screw You, Marvel
All of Marvel’s upcoming movies are going to be trash.
A decade ago, movie adaptations of comic books were a joke. With the exception of the 1989 Batman and 1978 Superman films, they were laughable at best, and huge steaming piles of shit at worst. The problem was that nobody took it seriously, not even the creators. They made them campy and hokey, and self-referentially stupid. They were the lowest common denominator of movies. They became a self-fulfilling prophecy of crappy movie-making. After all, if the filmmakers themselves treated the properties like shit, then the movies would inevitably turn out to be shit. The industry chugged along, and churned out turd after turd with the occasional, anomalous decent movie like Blade in 1998.
Fast forward to 2002, and the release of Spider-Man. Suddenly, we had a GOOD live action version of a comic book movie. How did it turn out good, you ask? Well, let me answer that for you. The simple reason was that the director, Sam Raimi, had been a longtime fan of the comic book series. He wanted to stay as true to the character as possible while adapting him for the more difficult live action film environment. Naturally, certain things needed to be changed, but they were done with as much care as possible. The characters and situations were taken seriously, and given the right amount of gravity with occasional moments of levity thrown in to keep things fun. The script was solid, the actors were well cast and talented, and everything flowed together seamlessly. It just worked. Worldwide, that movie grossed over $800 million. People were screaming about how awesome the movie was, and all of a sudden it wasn’t nerdy to like comics any more.
Sexman Monday: Wolverine
“It’s just, it’s just awesome.”
“…it’s just hard.”
But calling Fox clever? Come on, Sexman, you know they are a bunch of retards.