Gankutsuou: The Count of Monte Cristo

Prepare to see this image reused... a lot.

Whenever I think of Studio Gonzo, positive reviews do not come to mind. They have an amazing ability to take great source material, animate it, and, without fail, fuck it up. For example, Hellsing and Chrono Crusade were great series ruined by horrible endings. Of course, Gonzo also creates terrible series that are unsalvageable messes from episode one, like Gantz or Strike Witches. Once in a while they create unintentional comedy gold like they did with Speed Grapher. The lesson from all this is that Studio Gonzo is trash. They have terrible writers, shoddy animation, and use extremely outdated CGI. To date, the only Gonzo series that could even remotely be considered good are Last Exile and Welcome to the NHK. Then I watched Gankutsuou: The Count of Monte Cristo.

The Count of Monte Cristo by Alexandre Dumas is a sprawling, epic adventure, a tale of heartbreak and revenge. It is a novel so intricate it requires multiple readings to appreciate it to its fullest. It stars one of literature’s most complex and intriguing (anti) heroes, Edmond Dantes. I’ve read the book and seen a number of Hollywood adaptations. To me, it is one of the greatest stories ever told. And since Gonzo is known for making non-sensical shit, I figured there was no chance in hell this would be any good.

The Help, Alias Season 1, Blassreiter

The Help

Talkin' 'bout eatin' shit pie.

Mrs. Brik and I went to the second-run theater to check this out. We almost always go to the second-run theater because it’s cheap. Since most movies are toxic chunks of shit, it’s more palatable to spend $6 on tickets instead of $18. The Help was surprisingly great. It was funny, dramatic, topical, and inspiring in all the right places. It seemed to tell a deeply personal story in what came from a fictional novel. This is a rare example of a movie done right. It doesn’t have a lot of cliche lines, bullshit transformations by evil characters, and they don’t solve racism by the end of the movie. It was simply a different lens through which to view 1960s-era Southern U.S. racism. It didn’t pander and it didn’t dumb itself down. Both of which were very refreshing.

Verdict: Awesome

Alias Season 1

Alias season 1 cast

I’ve already watched Alias once from start to finish. In my boredom from the fact that there is hardly anything good on TV, I decided to crack open my dusty old Alias DVDs and watch the show again. My first thought was that it would be horrible, and my memory of it being good would be tainted by nostalgia. However, as I watched it, I was pleasantly surprised. The main character can be a hot-headed, emotionally-driven, knee-jerk-reactionary bitch. The action sequences can be cheesy, and the special effects weak as hell. However, the story is cool. The other characters are mostly fun. The Rambaldi stuff appeals to the conspiracy-theory fan in me. The writing remained as strong as I had remembered. Apparently, a lot of the writing/producing team went on to work on Fringe, which is definitely a good thing. Overall, each episode was a worthwhile distraction for 45 minutes. 

Verdict: Good

Blassreiter

Grrrrr serious business.

Yet another horrible shit-turd from anime studio Gonzo. What a huge piece of shit this turned out to be. Speed Grapher was terrible, too, but at least it was over-the-top crazy fun. Blassreiter, however, was like Gantz or Blue Gender in that it is just shitty and has no redeeming qualities. The show takes itself deathly seriously, but then it has ridiculous things happen. For example, in the first episode a guy sees a telephone morph into his ex-lover’s face. I literally laughed out loud when that happened. It uses horribly obvious CGI: humans, monsters, vehicles, mecha, everything is CGI. The storyline is ludicrous. The characters die and give inane soliloquies just before they kick the bucket. It tries to be adult, but turns out like a 13 year old boy’s idea of cool.

Verdict: Shitty

Gantz

Hurrrrr Durrrrr

Ah, Studio Gonzo. I see you are up to your old tricks again. While you certainly did a nice job with Last Exile and Welcome to the NHK, you decided to return to form with Gantz. And by return to form I mean, produce really shitty anime. So, what is Gantz, you ask? That’s kind of a tough question. Let me see if I can answer it for you.

Gantz is about two guys who try to outrun a subway train. Last time I checked, subway trains can go a lot faster than a person. Why they got in front of the train is not important. In fact, any thinking at all while watching Gantz is probably a bad idea. You might wind up giving yourself an aneurysm or something. So, anyway, the two guys get splattered by the train and die. Next thing we know, they are revived in some sort of quasi-afterlife. The afterlife has them participating in a game where they compete against other dead people to hunt down and kill aliens. If they can score 100 points, then they get to live a normal life again. Now that sounds all nice and good, but the whole aesthetic of the series takes on a creepy, S&M vibe.  The players dress up in black, skin-tight bondage gear. This fetish gear comes with lots of guns, further emphasizing the pain aspect of S&M. There is a gigantic black ball gag (which, sadly, is too large to fit in anyone’s mouth) that doles out the guns and names of the targets to be killed.