The Wind Rises

Jiro and Naoko.

Hayao Miyazaki’s final film (until he un-retires again), The Wind Rises, is an excellent capstone to his already legendary career. The movie is decidedly less fantastical than the rest of his work, but just as emotionally moving as anything else.

The Wind Rises tells the story of Jiro Hirokoshi, a Japanese man who loves aviation. He has poor eyesight and is told he can never fly a plane, so he decides to do the next best thing: design airplanes. The film follows him from a young boy into his middle years as he toils to develop a new kind of airplane. The storytelling, while fictionalized, is quite riveting. You understand Jiro’s eagerness to build an aircraft, and you feel his successes and failures through each attempt.

Take My Revolution, Please

Utena and Anthy

Revolutionary Girl Utena is a hard show to describe. It is so complex, so intricate, has so many moving parts, that capturing everything in a coherent review is almost impossible. So, instead of trying to do that, I’m just going to give you my thoughts on this anime’s various aspects.

As a brief synopsis, Utena tells the story of Utena Tenjou, a tomboyish teenage girl who is newly enrolled at Ohtori Academy. She wears a ring with a rose crest on it which was given to her by a prince when she was a child. Upon entering school, she quickly learns that several other people wear the same ring. People who wear the ring are allowed to fight in sword duels for the chance of winning the “Rose Bride.” The Rose Bride is Anthy Himemiya, a completely submissive woman who is essentially a slave to the current dueling champion. Utena is disgusted by this, and fights to save Anthy and treat her as a friend and human being. As the show progresses, more truths are revealed, and it is learned that whoever is the ultimate champion of dueling will be offered the chance to “revolutionize the world.”

That’s about as concrete a synopsis as you can get with this series. From that point on the audience is treated (or subjected, depending on your point of view) to a multitude of allusions, illusions, metaphors, and psycho-sexual imagery. Nearly every character, relationship, and duel contains far more depth than what is presented on the surface. To get a good handle on everything would require many repeated viewings. Utena is one of those series which is famously accused of not really being about anything, and just throwing weird shit at the viewer for the sake of being obtuse and weird. But if you pay attention, you’ll find this really isn’t the case at all. There is a lot of depth and meaning to be found. All you need to do is pay attention. Unfortunately, paying attention is something really difficult for moe-loving, mouth-breathing otaku.

So what is this anime about? That’s easy, lesbians. Yep, that’s it. Case closed. Oh wait. It’s not? OK, OK, let’s try this again.

Rebuild of Evangelion 2.0, the Dub Review

Another helping of delicious Eva-flavored Doritos

In honor of the second Rebuild of Evangelion movie being released on DVD and Blu-Ray in the U.S., I thought I’d post my thoughts of the dub. I tried to catch the dub theatrically, as I did for 1.0, but the theater near me only played it in Japanese. So, I had to wait until acquiring the Blu-Ray to check it out. Here’s a quick recap of my final thoughts of the dub from 1.0:

While I don’t think this cast will ever surpass the original Japanese actors, Funimation did a damn good job. This time they had a real director instead of motherfucking Matt Greenfield, and that payed off in spades. Spike and Allison have had years to improve their skills, and with a competent director, were able to turn in great performances. Overall, the dub was good, and I can entertain the idea of watching it again in the future. While the original Japanese is still the best, this English dub is a vast improvement over the ADV dub.

Well, with that little refresher, let’s move on and see how 2.0 fared…

20 Shittiest Anime of the Decade (2000-2009)

I’ve seen me lots of animu in the last decade. I started watching this stuff in late 2001, and it’s ruined my life ever since. That being said, I felt it was my obligation to impart upon you the fact that there are terrible anime out there. Sometimes it seems like it’s all moeblobs and slice of life bullshit. I’m not sure if anyone else has done this yet, so I’m giving you my list of the 20 Most Shittiest Anime of 2000’s. Keep in mind that even though I have ranked these, they are all equally shitty. My list probably won’t sit well with the slice of life fans or the moe-loving fapboys, but rest assured these anime all need to be sent directly to hell.

Dishonorable Mention) Most Pointless Award – Rebuild of Evangelion – Why Hideaki Anno, why? You impressed us with Gunbuster, you further solidified your directing talent with Nadia, and you amazed us with your opus Evangelion. After that you did… well, not really anything. You went on to make a bunch of really shitty live action movies. You failed and failed and failed. You weren’t able to succeed in the mainstream, and that’s OK. But when you returned to the world of anime, what did you do? You decided to make A MOTHERFUCKING REMAKE of your biggest cash cow. Hmmm. Out of ideas already? Apparently so. Either that, or you wasted all of your money on full body Asuka pillows and mosaic screened Japanese porn. Now, I will agree that Rebuild of Evangelion was extremely well made, but it was also extremely pointless. Evangelion was by far one of the most incredible anime of all time. And remaking it is retarded at best.

Dishonorable Mention) Worst Director Award – Mamoru Oshii – To all the fans of Oshii… fuck you. This guy is terrible. He’s a horrible director. He has no concept of pacing or intriguing storytelling. There is an old writer’s guideline that says, “Show, don’t tell.” Basically, it means you should describe what’s going on, and not just say that it happened. It provides for a much richer experience for the reader. Oshii’s work is all flawed by the same problem. He “tells” and doesn’t “show.” He wants to bring up philosophical ideas, and his method of doing that is by having two talking heads spout off paragraphs of dialogue at each other for huge chunks of time. This could potentially work in a book format, but in film, which is a visual medium, it fails miserably. Immediately, this becomes boring to all but the most insane Oshii-loving otaku. I swear to god, Oshii fans are practically a cult. To them, Oshii is like Jesus and he can do no wrong. He could film himself taking a shit, and his fans would call it the greatest piece of cinema to ever grace the earth. The truth is, 99% of everything he has put to the screen is garbage. Oh, and Oshii, nobody gives a fuck about Basset Hounds, so stop putting them in all your goddamn movies.

20 Awesomest Anime of the Decade (2000-2009)

I’ve seen me lots of animu in the last decade. I started watching this stuff in late 2001, and it’s ruined my life ever since. That being said, I felt it was my obligation to impart upon you the fact that there are good anime out there. It’s not all moeblobs and slice of life bullshit. So, as it’s so trendy to do right now, I’m giving you my list of the 20 Most Awesomest Anime of 2000’s. Keep in mind that even though I have ranked these, they are all equally awesome. My list probably won’t sit well with the pretentious arthouse goons or the moe-loving fapboys, but rest assured these anime are actually good shows.

20.) Boogiepop Phantom (2000) – This is one of those series where the fun comes in figuring out what the hell is going on. It’s a supernatural thriller, with each episode taking place from the point of view of a different character. I love the washed out color palette, the haunting music, the “realistic” look of the characters (i.e. no crazy hair colors), and the non-linear story. Instead of spoon feeding the viewer, it allows you to deduce what really happened on your own, although this may require multiple viewings. As the “angel of death,” Boogiepop doesn’t really have a name that would inspire fear in anybody, but if you watch this series late at night with the lights off, you might get a little freaked out.

19.) Paprika (2006) – A film from a true master, Satoshi Kon. While Millenium Actress is probably his most praised work, I find that there is something intangibly better about this movie. Kon continually plays with themes of identity and reality, and he does so to perfection here. In a future world where people can use technology to enter dreams, a doctor is attempting to use it to help psychiatric patients. She uses a persona known as Paprika. As the movie progresses, the line between what is real and what is the dream world blurs. Eventually, things spiral out of control, and climax in one of the weirdest and most incredible finales ever put to film.

Rebuild of Evangelion 1.0, the Dub Review

Delicious Eva-flavored Doritos

In honor of the first Rebuild of Evangelion movie being released on DVD in the U.S., I thought I’d post my thoughts of the dub. My dub review comes from a theatrical viewing of the dub a few months ago, and is not representative of the DVD. But they should be identical anyway.

First of all, I completely loathed the original Evangelion dub (and I hated the original movie dubs even more). It had one of the worst assembled casts of all time. Worse than the people in “Manos: The Hands of Fate.” Not to mention one of the shittiest directors, Matt Greenfield, ever. Basically, he just cast a bunch of his no-talent friends, and had them ham it up. The original dub is on par with what you’d find in a middle school drama class. It is fucking awful. A testament to why you should never watch a dub. And just in case any of you think I “hate all dubs,” let me explain something else. There are some anime dubs that I loved, and watch those shows exclusively in English (e.g. Cowboy Bebop, Ghost in the Shell: Stand Alone Complex, Outlaw Star, and Fullmetal Alchemist — just to name a few). Anyway, my expectations for the Rebuild of Evangelion dub were extremely low. I was expecting a turd on celluloid. So, how did it hold up?