Tron

I’m not sure what the point of this movie was other than to make Disney a lot of money. Tron, the cult 1982 film, didn’t require a sequel. There was no burning need to continue the story of software-engineer Kevin Flynn. Back in its day it made a modest profit and then the public at large forgot about it. In 1982 Hollywood wasn’t as sequel crazy as it is today. Oh sure, they made sequels to stuff like Dirty Harry movies, Star Wars movies, and a shitload of James Bond movies. But today we have shit like Green Lantern getting a green-light for a trilogy before the first movie even finished production. Only the Hollywood of today would make a sequel to the putrid pile of shit that was the remake of Clash of the Titans. So that’s why a modest money-maker like the original Tron didn’t get a sequel. It was fun, people liked it, but then they moved on. There wasn’t this obsessive need to keep beating the dead horse of sequels just because Hollywood thinks it’s easier than coming up with original ideas.

28 years later, we have Tron: Legacy. How exactly did this happen? I have no idea. No one does. It seems like the idea for a Tron sequel came out of the blue. It’s not as if the general public was clamoring for another Tron movie for the last 20 years. Seemingly at random, Disney started to pimp out TR2N promos three years ago. Whose bright idea was this? Nobody’s. This actually confirms a theory I’ve had for quite some time: no humans run Disney. There is just this old IBM computer that still takes 8-inch floppy disks that generates random ideas and scrounges for old shit to remake. Why else would we be getting Pirates of the Caribbean 4? Either that or Hollywood is so starved for ideas they are really digging into the past to find anything to remake/sequalize. I guess that’s why we now have a Green Hornet movie. After all, if you can find a 30-75 year old property that didn’t completely bomb, why not make a sequel to it?! Half the movie-going public isn’t even old enough to remember how much the first one sucked! By that logic, I guess we can expect a sequel to The Beastmaster any day now.

Like any terrible blogger, I decided that I needed to see the new Tron movie. But I barely remembered the old one. All I could recall of it was some guys throwing frisbees at each other, motorcycles that sprout deadly solid lines behind them, and everyone wearing these blue and red light-up leotards. Unfortunately, what I could not recall was if the movie had been any good. I decided to ask my parents, and they remembered just as much about it as I did. I asked a few other people who were adults when the original movie premiered, and pretty much everyone remembered the same stuff. Nobody could actually recollect what the plot was or if it hadn’t been executed well or ineptly. So, I figured my next best move was to watch the original. I queued it up on Netflix…

Fake Indie Movies (AKA Fuck You, Hipsters)

There are a lot of movies I hate. For the most part, Hollywood can’t resist shoving recycled garbage down the throats of the movie-going public 52 weeks a year. Since 2004 there has been a growing number of “indie” movies released every year. The indie movie trend really exploded with the release of Napoleon Dynamite. Since then the term “indie film” has been Hollywood shorthand for “quirky independent comedy.” Unfortunately, the majority of the movies being passed around as “indie” are nothing close to being independent.

A truly independent film typically has a lot of features you will never find in a Hollywood “indie” movie. For example, if the movie was ever released in a national cinema chain (e.g. AMC, Harkins), then it was likely backed by a major studio, and thus is not independent. Real independent movies are not seen in the same cineplex that shows the latest Michael Bay summer shit-spectacular. They may play in a small theater dedicated to independent films, but usually they just make the rounds on the film festival circuit until they are either picked up for home video release or fade into obscurity.

Real independent movies are way too hardcore for the standard movie goer. They are grainy, often black and white, have really low production values, do not star any known actors, and many times deal with social issues or are completely confusing mindfucks. Perfect examples of this would be the movies Eraserhead by David Lynch and Pi by Darren Aronofsky.