Posts Tagged ‘Shyamalan

10
Aug
14

The Heat, Missing William

The Heat

Fuck this movie.

The Heat is a 2013 travesty starring Sandra Bullock and Melissa McCarthy. At this point, it’s clear that McCarthy is a one-trick pony. Her entire schtick is acting like a brash, foul-mouthed bitch who always thinks she’s one step ahead of everyone else. Frankly, it’s tiresome. It worked in Bridesmaids, but that was it. She is trying to make an entire career on this act, and it just isn’t going to keep up forever. Anyway, this disaster of a movie is about an FBI agent (Bullock) and a Boston cop (McCarthy) who must work together to bring down a drug operation. One is straight-laced and uptight, another is a free spirit. THEY’RE TOTAL OPPOSITES, ZOMG, HOW ORIGINAL! They start out hating each other, learn that they have differences, and by the end become best friends. Fuck that shit. This has been done a billion times before, and far better in pretty much every other version out there. Not even Bullock can save this movie as her comedy falls flat, and her face looks waxy like it has been Botoxed a hundred times before every scene. I don’t know what the fuck anyone was thinking when making this piece of shit, but they were obviously on crack. There aren’t any worthwhile jokes, the story is insipid, and the acting is terrible. What a waste of time.

Verdict: Shitty

Missing William

“It’s not cheating if your husband’s a vegetable, I swear.”

This is not a movie I would choose to watch. A family member of mine wrested control of my Netflix account and this was their choice. I figured, “What the hell, it’s an acclaimed drama, how bad can it be?” Did I say “acclaimed drama?” I should have just said “drama.” There is nothing worthy of any accolades here. It’s a drab, boring, relentlessly depressing affair. It’s about a chick who is in love with both that one guy from Veep and the dude who played Superman. She’s married to Veep Guy, but secretly wants to bone Superman. I mean, he is Superman, although the shitty Bryan Singer version. Anyway, Veep Guy gets a traumatic brain injury and drools his way through the rest of the movie. Everyone immediately tells the chick she needs to dump his ass and move on, but she resists, she can’t leave her husband even if he is a vegetable. It’s kind of startling that they would do this, including the chick’s mother, but whatever, maybe they’re all a bunch of assholes. When the movie reaches its conclusion, she finally kisses Superman. His super kiss is so powerful that it shocks her into reality, and she realizes: VEEP GUY HAS BEEN DEAD THE WHOLE TIME ZOMG! Yeah, that’s right, this movie pulls a total Shyamalan. Veep Guy surviving his accident was a delusion. If she was going to have a delusion of her husband being alive, wouldn’t it at least be one of him not being a vegetable? Eh, whatever. After the twist ending, the movie abruptly ends with no resolution whatsoever. Missing William is a movie that everyone should definitely miss.

Verdict: Shitty

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14
May
12

Red Dead Redemption Can Go to Hell

Marston takes careful aim at some crows.

Before you jump to the bottom of the page and post a comment about how I’m an ignorant twat, let me preface this entire post with a statement: I enjoyed Red Dead Redemption. But that doesn’t mean it’s immune from my rage for all its failings. And let me tell you, it had a lot of shit that pissed me off.

Video games where you get to play as a cowboy are few and far between. I’m not sure why the western genre for games never really took off, but they can be a lot of fun. I suppose the mouth-breathers feel it’s more important to buy a new version of Madden every year, so developers are constantly tied up copying last year’s football garbage into a new game. That precludes them from making new games with western motifs.

I’ve always enjoyed the western genre of film. The Good The Bad and The Ugly, True Grit, and Tombstone, just to name a few, are movies I can watch over and over again. There’s just something exciting about getting to live vicariously through those gunslingers. Besides, the whole genre boils down to just being a badass. And how could anyone not like a film genre dedicated to badasses?

Continue reading ‘Red Dead Redemption Can Go to Hell’

21
Oct
11

Paranormal Activity Dragged Me to Hell with The Blair Witch

Kanye always be interruptin’

It’s hard to be original in the horror genre. That genre, more so than any other, requires very specific tropes. In order to create a horror movie, you must adhere to well-worn, extremely tired genre cliches. I suppose this is true for any genre, but for horror it goes to an entirely different level. Here is a list of genre tropes in general for horror movies:

  1. An average, identifiable person is the protagonist.
  2. A monster/villain will kill off the other characters, usually one by one.
  3. When the monster/villain starts murdering people and/or wreaking havoc, no one will believe the protagonist regarding what is going on.
  4. Most female characters will get naked.
  5. Any female characters that do get naked will die and therefore cannot be the protagonist.
  6. All characters that have sex will die.
  7. Black, Hispanic, Asian (any non-white race) characters will die and therefore cannot be the protagonist.
  8. The monster/villain will have exactly one weakness which coincidentally is the only way to kill it.
  9. The monster/villain must always be killed twice.
  10. When terrible shit starts happening, the characters must always “split up” in order to make it easier to be killed.
  11. Cell phones will never work.
  12. Cars will never start.
  13. Flashlight batteries will always be dead, and lighters will always be out of fluid, making it dark at all times.
  14. When running away from the monster/villain, one or all characters will fall down and be unable to stand back up.
  15. When wanting to get another character’s attention, the best way to do it is to silently approach them and quickly grab their shoulder, preferably in a dimly lit room or cemetery.

While these may be all-encompassing for horror movies as a whole, there are several sub-genres with even more rigid guidelines. For example:

  • Slasher Movie – All characters will be teenagers. The protagonist will always be female. People will die with copious amounts and blood and often times inventive deaths. The “scares” will come from the director having things pop out during tense scenes in order to startle the audience. There will be no three-dimensional characters. The only character growth allowed will be the timid, nerdy protagonist transforming into a badass monster killer. Examples include Halloween and Friday the 13th.
  • Haunted House – An unsuspecting family will move into a new home. The home will be haunted by evil spirits of previous occupants who were murdered there and/or ghosts from the Indian burial ground the home was built on. The “scares” will start off small and build up to more ludicrous things by the end. Typically a human character will be possessed at one point and go on a murderous rampage. Examples include The Amityville Horror and The Shining.
  • Torture Porn – This is the newest of the horror sub-genres. It is comprised of nothing more than the director’s attempts to gross out the audience as much as possible. To do this the director will film close-ups of the most disgusting bodily functions imaginable. The “scares” come while blood and guts fly across the screen and the audience tries to keep itself from vomiting. Examples include Hostel and The Human Centipede.
  • Exorcism Film – A young child (female) will become possessed by an evil demon and/or the devil. “Scares” come as the possessed child does crazy shit like speak in a deep demonic sounding voice, levitate, spit pea soup, etc. There will always be tons of Catholic imagery, priests, holy water, etc. These movies are ALWAYS “based on a true story.” Examples include The Exorcist and, well, anything with the word “Exorcism” in the title.

Continue reading ‘Paranormal Activity Dragged Me to Hell with The Blair Witch’

03
Dec
10

4 Horsemen of the Film-Making Apocalypse: Part 4 – M. Night Shyamalan

The Four Horsemen of the Film-Making Apocalypse - their true forms revealed.

For a long time I’ve been carefully watching for the end of the world. According to the Bible (the world’s most accurate and consistent book), the world will end in a fiery shit storm, ushered in by the Four Horsemen of the Apocalypse. Well, that time is here, albeit not in a form that anyone expected. In fact, all the pestilence, war, famine, and death are not coming literally, but figuratively in the world of cinema.

Horseman numero quatro is none other than M. Night Shyamalan. Actually, his name is Manoj Nelliyattu Shyamalan. I guess Night sounded cooler than Nelliyattu. Personally, I think he should just go with Shyamy, but that’s just me. Anyway, this guy’s films have grossed over $1 billion worldwide. That would make you think, “Oh wow, he must make some really great movies to bring in that kind of revenue.” Well, if you thought that, you’d be wrong. In fact, I can’t imagine any scenario where this guy’s movies even get financial backing let alone sell tickets. Here’s a sampling of his work:

  1. The Sixth Sense – OK, I actually liked this one, but so did everybody.
  2. Unbreakable – was ripped off to become the now-canceled TV series Heroes.
  3. Signs – It’s only natural for aliens who can be killed by water to invade a planet that is 70% H2O.
  4. The Village – plagiarized from a 1995 young adult book titled Running Out of Time. Well, it was plagiarized and then made much, much worse.
  5. Lady in the Water – Winner of Worst Screenplay, Worst Supporting Actor (Shyamalan), Worst Director, and Worst Picture by the Golden Raspberries in 2006.
  6. The Crappening – … err, sorry, The Happening.
  7. The Last Airbender“THEY STOLE THE TITLE TO OUR AVATAR MOVIE!”

I don’t even know where to begin with ol’ Shyamy. Somehow this guy is able to get huge studio financial backing and land A-list actors time and time again. He’s able to do all this despite having horrible reviews every single time he makes a new movie. In fact, with each subsequent movie, his reviews get worse and worse. Rotten Tomatoes gives his films the following grades: The Sixth Sense 85%, Unbreakable 68%, Signs 74%, The Village 42%, Lady in the Water 24%, The Happening 18%, and The Last Airbender 6%. Let’s use a visual example to further illustrate (image from FilmDrunk). Continue reading ‘4 Horsemen of the Film-Making Apocalypse: Part 4 – M. Night Shyamalan’




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