A 2007 adaptation of a Stephen King novel directed by Frank Darabont seems like a recipe for success. After all, the two of them made fan-favorite The Shawshank Redemption. Sadly, though, this movie was a misfire for everyone involved. It takes places in a sleepy Maine town that gets overrun by a mysterious mist. What’s in the mist? Giant bugs and tentacle monsters (*facepalm*). The characters crowd inside a supermarket while they try to wait out the pending apocalypse, but the group loses cohesion and the fight to stay alive becomes exponentially harder.
There are all kinds of problems with this movie. Foremost is the absurd length. It’s over two hours long, and for what essentially boils down to a monsters-killing-everyone flick, that’s about thirty minutes longer than it needs to be. The pacing of the scenes between the monsters is laborious, and the film drags most of the time. And when the monsters come out, the incredibly dated CGI makes them more hilarious than frightening.
None of the characters are remotely interesting, and there is nothing for the audience to latch onto. The only good thing about this movie was the ballsy, super-dark ending. I hadn’t expecting something so bleak, and it definitely worked. But watching the dreck that came before didn’t make it worthwhile.
Trainwreck falls squarely into the “check out the socially-inept, rude, funny, fat chick” genre of comedy films. Written and starring Amy Schumer, Trainwreck fails to bring anything new to the table, and instead recycles the same clichéd relationship jokes that have been done a million times over. None of the characters are relatable, from the unbelievably oversexed Schumer to the as-exciting-as-paint-drying Bill Hader. There is a bizarre subplot with Schumer’s father, played by a young Colin Quinn, suddenly getting dementia, being put in a home, and dying. It is strange because he acts normal, is way too young to have dementia, let alone be her father, and it adds nothing of value to the story. In the end, Schumer and Hader’s characters break up, and they get back together without an apology or any growth on the part of Schumer’s deplorable character. I admit I laughed at some of the jokes, and, most surprising of all, LeBron James was the highlight of the film. Overall, though, it’s not worth it.