Predators, Drive Angry

The title of this post could really be read one of two ways. First, Predators and Drive Angry seen separately. Or second, as a statement telling those Predators to go out there and drive angrily. You know, a movie combining Predators and Drive Angry together could be one of the greatest movies of all time. Maybe somebody will figure out a way to edit them together to create a cinematic masterpiece.

Predators

As you all know, the original Predator is an 80s classic. One of the best examples of sci-fi and action. It is such a monumentally important film, it blows away Oscar-winning films by comparison. Unfortunately, the Predator franchise has fared even worse than the Alien franchise in terms of churning out horrible sequels. This movie comes 23 years after the original and rightfully ignores the other movies that came in-between.

A group of modern-day warriors are dropped into a mysterious jungle. The group consists of military-types, mob-enforcers, Yakuza, and serial killers. Each has their own weapon and their own style of killing. They hesitantly team up so they can find their way out of the jungle. What happens next is exactly what you expect/want to happen. Predators start hunting and killing them one by one.

Predators works because it doesn’t try to reinvent the franchise. It just uses the good stuff from the original and expands on it. That’s all. It has the suspense, the build-up, the action, and the bloodiness of the original. Instead of one Predator there are several, and it turns out the characters were sent to an alien world which is a big “game preserve” for the Predators. Their focus shifts from survival to getting the hell off the planet. They expanded the Predator mythology a bit to show there are two types of Predators and they don’t exactly get along. The human characters are able to use this to their advantage in order to resolve the fight against superior enemies in a logical fashion.

Overall, just about everything in this movie works. There is some questionable CGI but it isn’t used too much. A few of the characters should have lasted longer but died too soon (e.g. Danny Trejo). The final battle wasn’t much different than the final battle from the original movie. The action is plentiful but not overkill. The acting is pretty damn good including fun performances from Adrien Brody, Laurence Fishburne, and Walton Goggins. And it uses musical cues from the original, which helps it to better tie in to the franchise as a whole.

Verdict: Good

Drive Angry

This movie stars Nicolas Cage as a man who literally escapes from Hell in order to get revenge on an evil cult.

Verdict: Awesome

What? You need more than that to justify the verdict? I thought that sentence alone would have done it.

OK, so, Drive Angry is cheesy action cinema at its best. Cage died some years ago. His daughter was murdered by a cult, and that same cult is going to kill his granddaughter as a sacrifice to the Devil. Cage knows all this is going on, because in Hell you see nothing but the suffering of your loved ones. So, he does what anyone would do: escape from Hell in a Buick Riveria (the Devil has good taste in cars), and track down the cult.

What happens next is a series of car chases, shoot-outs, and general mayhem. I was surprised at just how graphically violent this movie is. It doesn’t pull any punches in terms of showing us limbs being blown off, brutal beatings, and even Cage getting shot in the face. Yes, you read that correctly. The goofy, over-the-top violence works in the movie’s favor, firmly cementing in the viewer’s minds that this is a grindhouse movie, and should not be taken seriously. If that doesn’t become apparent to you by the time Cage kills bad guys while having sex, then it never will.

Drive Angry is the perfect movie for that person who loves bad movies. It is a tribute to shitty movies. And the special effects, directing, acting, and editing all are pretty good so you still feel like you’re watching a high-end Hollywood movie. If you’re a fan of action, violence, nudity, and, most importantly, Nicolas Cage, then you’ll like this movie.

Verdict: Awesome

Brik Hates the Academy Awards: 80s Edition

It’s no mystery that I hate the Academy Awards. Hollywood spends half the year binging on cocaine and hookers and the other half praising themselves for it. No other industry exerts so much energy and spends so much money on self-congratulatory masturbation than the film industry. These sick fucks have the cushiest, easiest jobs in the world, and they act like what they do is some kind of goddamn accomplishment. “LOL OH LOOK I JUST RECITED SOME LINES SOMEONE ELSE WROTE FOR ME AND SHED A TEAR AT THE SAME TIME! I’M A FUCKING ACTING GOD! QUICK SOMEBODY GIVE ME FIFTY AWARDS LOL!”

In theory, I could get behind the awards if they actually awarded things that were deserving. You know, giving a Best Picture award to the best movie of the year. But the Academy rarely gives that award to the best movie of the year. Hell, they don’t even give it to the most popular movie of the year. Usually, they give it to whatever cool person produced the movie, or to the most obscure, independent, foreign piece of shit they can find. Typically, no one in the mainstream public will have even seen the winner.

They’ve been pulling this shit for years. So, I decided to analyze the past years, offer my own nominees, and declare new winners. Best movie isn’t the one that makes you cry or makes you think. Best movie is the one that you want to revisit over and over again. A movie you watch once and never again isn’t good. It’s only good if you can’t help but watch it a million times. Rewatchability is the hallmark of something great.

This time around, I’ll be taking a look at the Best Picture winners from the 1980s.

Reasons Why Predator is Better than The King’s Speech

The Fight of the Century.

I recently finished watching the Academy Award winning film, The King’s Speech. For those of you who have lives and don’t follow this kind of thing, this movie won awards for Best Actor, Best Director, Best Original Screenplay, and Best Picture. Apart from that, it won a shit-ton of awards from all the other award shows that year. Hollywood has to have award shows monthly, because they need to continuously validate what they do for a living. Honestly, these people contribute nothing to society. Go ahead and tell me that the people who made Transformers 2 are adding things of cultural importance.

So, in order to satisfy their egos and justify getting paid millions of dollars for three-months of work a year, they need to give each other shiny metal statues. Somehow that tells them that yes, they are important. Not only that, they won this award, which means they are more awesome than they had previously realized! Here’s how a typical award presentation works.

Presenter: And the Jizzie award for Best Actor goes to, Douchey Guy!

Douchey Guy (feigning surprise): Wow, I can’t believe I won!

Presenter: Out of all the actors this year, you recited lines someone else wrote for you better than anyone else!

Douchey Guy: This is a tremendous honor.

Presenter: Who would you like to thank for this prestigious award?

Douchey Guy: My manager, my director, my mistress, my therapist, my tax attorney, my other therapist, my personal trainer, my wife, my kids, and Jesus.

4 Horsemen of the Film-Making Apocalypse: Part 3 – JAWSBUPS

 

The Four Horsemen of the Film-Making Apocalypse

For a long time I’ve been carefully watching for the end of the world. According to the Bible (the world’s most accurate and consistent book), the world will end in a fiery shit storm, ushered in by the Four Horsemen of the Apocalypse. Well, that time is here, albeit not in a form that anyone expected. In fact, all the pestilence, war, famine, and death are not coming literally, but figuratively in the world of cinema.

Horseman numero tres is none other than JAWSBUPS. Wait a second. Who the fuck is JAWSBUPS? Well, it actually isn’t a single director. It is an amalgamation of three small time, but horribly inept directors. Alone each of them is relatively harmless, but put together they combine to become the Voltron of shitty movies. JAWSBUPS breaks down to the original initials J.S., P.W.S.A., and U.B. Those initials stand for Joel Schumacher, Paul W. S. Anderson, and Uwe Boll.

Now, I know what you’re thinking, “BUT BRIK THOSE GUYS HAVE MADE SUM GOOD MOVIES YOU DONT KNOW WHAT YOUR TALKIN ABOUT LOL!” You may feel like they have made some good movies, but you’d be wrong. Your memory is playing tricks on you. Let’s take a closer look at their combined efforts: